By Michael D. Bristol
In this identify, first released in 1985, Michael Bristol attracts on numerous theoretical and significant traditions to review the character and objective of theatre as a social establishment: on Marxism, and its revisions within the paintings of Mikhail Bakhtin; at the theories of Emile Durkheim and their variations within the paintings of Victor Turner; and at the historical past of social existence and fabric tradition as practiced through the Annales college. This useful paintings is a crucial contribution to literary feedback, theatre experiences and social heritage and has specific significance for students attracted to the dramatic literature of Elizabethan England.
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Extra info for Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance England
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance England by Michael D. Bristol